It is illegal for you to distribute copyrighted files without permission.
Oumou Sangare Moussolou Rar Download With CelomusicsThe media files you download with celomusics.com must be for time shifting, personal, private, non commercial use only.Sangares style is wassalou, a popular musical genre derived from folk traditions in the rural southwestern part of the country; that style has brought her international stardom.
Sangare was born in Bamako, the music and arts capital of Mali. Her earliest and most profound musical influence was her mother, Aminata Diakit, a migrant from the rural region, south of the Niger River. Oumou Sangare Moussolou Rar Professional Singer MostShe was a sogoninkun, a professional singer most often hired for weddings and other ceremonial occasions. Sangare accompanied her mother often and by age ten was signing with her to help feed her family -- her father had abandoned them. Sangare began to sing on her own professionally at 13, and by the time she was 16, she was asked to join the Malian traditional group Djoliba Percussions as its lead vocalist. She toured Europe with the band and upon returning to Bamako, began writing and developing her own take on wassalou music with assistance from the migrant community. Moussolou In 1989, she took what she knew and traveled to Abidjan and encountered producerpromoter Ibrahima Sylla at his now legendary JBZ studio. He was impressed by the young artist and released her debut offering, a cassette titled Djama Kaissoumou, produced by Amadou Ba Guindo, leader of the National Badma Du Mali. Its single, Diaraby Nene, became a major domestic hit and spurred on sales of over a quarter million copies. It was picked up by Nick Golds World Circuit label (through the intervention of Ali Farka Toure) and reissued as Moussolou (Women) in 1990; it exploded all over Europe and Asia as well as on the continent of Africa. Ko Sira Despite her sudden stardom, Sangare kept close to her Bamako roots. She issued the album Bi Furu independently a year later before returning to World Circuit for its major international release of Ko Sira in 1993. While remaining firmly in the wassalou style, the album was even more militant as its songs addressed feminist themes in lobbying against polygamy and enforced marriages that were widespread among West African women. In 1995, she did an international tour with Baaba Maal, Femi Kuti, and Boukman Eksperyans. Her next offering, Denw, in 1996, was issued by her homelands Mali K7 SA on cassette. Sangares breakthrough to U.S. Worotan; it received wide American distribution due to World Circuits distribution deal with Nonesuch and WEA. Sangare toured the worlds stages as a headliner, but the separation from her child, who was too young to travel, proved difficult. She essentially stepped away from music at her peak, but Sangare had invested her money well. She began running a hotel (Hotel Wassoulou in Bamako, which featured her own performing space), a farm, and other businesses. She provided for her family, and gave much-needed jobs to Malians. In 1998 she received the Commander of the Order of Arts and Letters award in France.
0 Comments
Leave a Reply. |